Interviews
Cambodia hotel features tiny terraced rooms that “look like houses”
Craig Robins: “The one thing you can’t do is replace something truly historical”
Xintiandi Penthouse by Joyce Wang is “a celebration of metal”
Milan universities team up to launch “unique” food design degree
Design studio Raw Edges “feels like part of the Moroso family”
Singapore university research centre ceiling consists of “6,000 moveable lights”
São Paulo bookstore walls are “clad with books” from floor to ceiling
Doshi Levien’s furniture for Moroso “challenges people’s perceptions”
Issey Miyake’s focus is “being innovative with technology” says head of womenswear
Tord Boontje and Moroso brought “the excitement of fashion into furniture”
Ron Arad’s Spring furniture collection “turned the direction of Moroso”
“Design and architecture has been a key influence” says COS managing director
MPH Architects transforms “magnificent” former car factory into education centre
“People who don’t like Comic Sans don’t know anything about design”
The interface between technology and design holds “answers to the future”
Abedian School of Architecture by CRAB Studio was “designed from the inside out”
Benjamin Hubert and Moroso “share a passion for innovations in textile”
Clive Wilkinson’s office for The Barbarian Group is “one huge table through a room”
OMA reveals trio of “peanut-shaped” towers for Miami’s Coconut Grove
Gallery extension proposal by 5468796 “recreates the quality of light of a rainforest”
Integrating programming and design will “totally change the world”
Moroso “gave me a chance,” says designer Ross Lovegrove
The High Line is a “pulling-back from architecture” say Diller and Scofidio
