Set and stage design
Jennifer Morden creates “aspirational” mid-century house with sinister dungeon for Fresh
Set design for Slowthai aims to “create a show that feels like a nightmare”
Grant Major designs The Power of the Dog ranch as a “hyper-masculine alpha male environment”
Landmark Compton buildings are “characters” on Es Devlin’s Super Bowl stage
House in The Girl Before designed to feel both like a sanctuary and “a fortress or prison”
Smiljan Radić creates inflated transparent bubble for Alexander McQueen show
David Rockwell displays the seven deadly sins in shop windows
Es Devlin and Yinka Ilori construct Brit Awards stage like rainbow-coloured maze
Royal Shakespeare Company to stage live play in virtual Midsummer Night’s Dream forest
ASKA creates escapist TV set for Stockholm Design Week interviews
Less exclusive buildings “are actually some of the most interesting” says Devs production designer
Dressing scenes for Killing Eve was “like finding treasure” says set decorator
Seven houses that play a starring role in films including Parasite and The Power of the Dog
Inventing Anna interiors “richer” versions of their real New York counterparts
Sunken home forms setting for Virgil Abloh’s final Louis Vuitton show
The set from The Girl Before features in today’s Dezeen Weekly newsletter
Squid Game’s violent contests take place in spaces designed “to trigger nostalgia” says director Hwang Dong-Hyuk
Balenciaga collaborates with Simpsons to launch Spring Summer collection
Virtual nightclub Eschaton creates “feeling of a rabbit hole” by combining theatre with gaming design
David Rockwell’s “intimate and grand” Oscars set recalls glamour of early ceremonies
Asylum in Ratched designed to look like “a beautiful person with a really dark secret”
Creating sets for Normal People took a mixture of intuition and second-hand gems says production designer
Parasite house designed from “simple floor plan” sketched by Bong Joon-Ho
