Set and stage design
Glastonbury unveils “first-of-its-kind” mycelium-insulated stage
Stufish builds dance-music colosseum for Adriatic Sound Festival
Modernism has been “misread and simplified” says Formafantasma
“Offices now are so uncreative” says Severance production designer Jeremy Hindle
“There is no more controversial style of architecture” says The Brutalist director Brady Corbet
The Unlimited Dream Company creates modular fins for Jorja Smith tour
Studio Fuksas creates dramatic all-white stage design for Tosca and Turandot
Menagerie of animal-shaped beanbags lines Bottega Veneta catwalk
Production designer Naaman Marshall adopted “utilitarian” approach for Alien: Romulus
Cake Architecture “exposes the guts” of Rally festival with demountable fibreglass stage
Pulp sci-fi and tropical modernism inform Glastonbury’s first dedicated South Asian stage
Bunny Christie’s People, Places and Things set symbolises protagonist’s “dislocation with reality”
Pneuhaus innovates inflatable panelling for extraterrestrial buildings in Murderbot series
“You create a world” for every Wes Anderson film says set decorator Anna Pinnock
Stufish develops distinctive “Sabrina Carpenter architecture” for Short n’ Sweet tour
“David Lynch was a superb director of architecture”
Unlimited Dream Company uses spatial design to create stories on stage
Theo de Meyer uses “utilitarian aesthetics” for Palm Springs festival design
Dezeen Debate features “a joyful kind of branding”
Giant inflatable astronaut looms over stage at MTV VMAs 2024
Stufish creates festival stage informed by Barbican Conservatory for Lana Del Rey
Natalie Papageorgiadis dresses Bridgerton sets with lashings of silk and gold trim
Five Glastonbury stages made from ex-military helicopters and other reused materials
