Interviews
Sharjah triennial rethinks architecture that “results from conditions of scarcity” says Tosin Oshinowo
Worsening natural hazards an “opportunity” to rethink cities says Amy Chester
Turkey-Syria earthquake rebuild “most sophisticated urban problem in the world” says Mehmet Kalyoncu
Disasters “very rarely not a design failure” says expert Lucy Easthope
Concrete-based urban areas “will fail due to their non-resilience” says Kongjian Yu
Heatherwick’s Humanise campaign launched to “spark public conversation about the way buildings make us feel”
“I’m filled with dread” over climate change says Liam Young
Ane Crabtree designs The Changeling costumes as a “respectful nod to Black history”
Sydney Design Week has a “clear-eyed view of the work ahead of us” says curator Keinton Butler
Live music shows are all starting to look “kind of the same” says The 1975’s set designer
Working on The Line a “tricky argument” for studios boycotting Russia says Wolf Prix
“It’s hard to collaborate with architects” says Longchamp’s Sophie Delafontaine
Landscape architects “could be very important” to Africa’s Great Green Wall says Elvis Paul Tangem
Plant trees in cities to curb deadly heatwaves says Arup’s Dima Zogheib
“I don’t want to make crazy buildings” says Junya Ishigami
Production design makes you “feel like a detective” says Killers of the Flower Moon designer Jack Fisk
“Everything we do is going to be looked at more” says Prince Carl Philip as studio launches own brand
“Tradition has to evolve or it dies” says Ozwald Boateng
“Emerging talents require nurture” says Jan Hendzel
Pritzker “has given me courage” says Diébédo Francis Kéré
Grassroots organisations will “be holding me to account” says RIBA president Muyiwa Oki
Apple partners need to be “absolutely committed to transparency” says retail sustainability lead
“I don’t think AI knows what humans like” says Daniel Escobar
