Interviews
Brands “ask for you because you’re a woman and not dead” says Cecilie Manz
“It makes you a bad designer if you make something that can’t be recycled” says Cupclub founder
Forensic Architecture investigates alleged links between refugee charities and people smugglers
Black Panther’s “voluptuous” sets are influenced by Zaha Hadid, says production designer
The iPhone is “not very innovative” because it’s hard to recycle, says Formafantasma
“We want to put Toronto on the map as a creative place” say Yabu Pushelberg founders
Self-driving cars will “exacerbate congestion rather than improve it” says Paul Priestman
Muji is not just about minimalism and simplicity, says art director Kenya Hara
We need designers, not scientists, to show us how to change the world, says Babette Porcelijn
Wild robots could replace vanishing species, says Robotanica curator
Design can “do some heavy lifting” to help solve global problems, says EDIT festival founder
Democracy needs a redesign, says Rudy van Belkom
“Zaha’s vision allowed me to have all I wanted” says client of Hadid’s only house
Wes Anderson’s Isle of Dogs film sets influenced by metabolist architecture
“The only things I’ve ever kept are photographs” says John Pawson
Craft will become fundamental in design, says Jonathan Anderson
“Designers should not be portrayed as the heroes of our time” says Bernhard Lenger
“Architecture has not been promoted to communities of colour” says Michael Ford
“We need creative ideas to change the food system” says Marije Vogelzang
Julian Rosefeldt celebrates “anti-architecture” in new movie Manifesto
Good design is about clean air and water, not a Louis Vuitton bag, says Daan Roosegaarde
Isozaki “was the first well-known architect to work in Miami Beach” says protégé David Gauld
“Russian architecture is in a transitional state” says architect Yury Grigoryan
