Interviews
SHoP Architects principal knew Brooklyn Tower would be “like the Empire State Building of Brooklyn”
The Line megacity will “revolutionise our current way of life” says Neom director
“Fashion is a form of art and it’s so closely related to dance” says Iris van Herpen
“The best tool for empowering people is through affordable housing” says architect Victor Body-Lawson
Circularity is “closer than we think” says Hyundai design boss
Removing staff “only first phase of reform” says Bartlett whistleblower
“Trees aren’t a novelty” says Thomas Heatherwick
Deconstructivism exhibition aimed “to rock the boat” says Mark Wigley
“I use colour as a way of starting a conversation” says designer Yinka Ilori
Elizabeth Line “more mannered” than Jubilee predecessor says head of architecture
Studio Olafur Eliasson wants to be “carbon neutral as soon as possible” says head of design
“It’s amazing how things flip” from utopia to dystopia say artists Langlands & Bell
“True architecture is life” says RIBA Royal Gold Medal-winner Balkrishna Doshi
“No one wants a sea of desks anymore” says WeWork’s global head of design
Coop Himmelb(l)au was “closest to so-called deconstructivism” says Wolf Prix
Architecture should abandon “top-down” management to improve working conditions says Gensler co-CEO
Virgil Abloh “wanted to do real industrial design” says Alberto Alessi
“I didn’t feel the burden of ambitious architecture” says Serpentine Pavilion designer Theaster Gates
“Story of deconstructivism was never told fully or even accurately” says creator of term
The legacy of deconstructivism “makes me want to retreat to the back of the room” says Bernard Tschumi
Deconstructivism “killed off postmodernism” says Peter Eisenman
“I always felt slightly repulsed” by deconstructivist label says Daniel Libeskind
Co-working venture Patch offers “an exciting alternative to your kitchen table” says Paloma Strelitz
