Alyn Griffiths
Alyn is a freelance writer and editor who contributes to some of the world’s leading architecture and design publications, including Dezeen, Blueprint, Icon, Wallpaper, Interior Design and CNN Style.
He is also the author of 21st Century Lighting Design, published by Bloomsbury in 2014, and former design editor at Port magazine.
Alyn studied product design at Glasgow School of Art before moving to London in 2008, where he lived for eight years. He is now based in Edinburgh, Scotland.
Stories by Alyn Griffiths
Lenovo unveils laptop with unrolling display that doubles in size
LG reveals 3-in-1 “lifestyle projector” that is also a lamp and speaker
Curved brick protrusions fill Hainan cinema by One Plus Partnership
Adrienne Lau creates Acute and Obtuse outdoor furniture from salvaged materials
Paul Coenen adds “shrink-wrap” pattern to aluminium furniture collection
Japanese joinery and 3D-printed wood waste combine to form The Warp pavilion
Natural materials create “a sense of refuge” in Kyiv boutique Friends of Fashion
Audi ditches four-ring logo for Chinese electric car range
Firm Architects designs APPM office to evoke the “battle between water and clay”
Softblock rug revives “world’s oldest rug-making technique”
La Famiglia is Gaetano Pesce’s last-ever furniture collection
Mycelium Muse exhibition celebrates “variations and irregularities” of mycelium fabric
Vans installs skateable ramp at refurbished central London store
“Subtle and sophisticated” interior distinguishes Kyiv sex shop Inside
Casa Gesso is a “habitable blank canvas” for reflecting on feminist art
Barnaby opens London chocolate shop with “peculiarly British” interior
Material Cultures transforms woodland waste into sustainable sheet materials
Two Hundred Tons deconstructs steel tubes to create Unroll furniture collection
Underground cisterns inform interior of Hong Kong’s Artifact Bar
Makhno Studio creates breathable clay panels to improve indoor air quality
Nesting tables by Mikolášková&Drobná change colour as they’re combined
Shogo Onodera transforms existing surfaces in Tokyo boutique to “avoid making anything new”
