Tom Ravenscroft
Tom is the editor-in-chief of Dezeen.
He holds masters in architectural history from both Edinburgh and The Bartlett, where his writing focused on the architecture of data centres.
Tom has worked for several publications in architecture and construction, including the Architects' Journal and Construction Manager. He has also contributed to RIBA Journal, Icon, BD, City Metric, Architectural Review and ArchDaily. Videos on the built environment featuring Tom have had over five million views on YouTube.
Follow Tom on Instagram and X (formerly Twitter).
Stories by Tom Ravenscroft
The 12 most architecturally significant Expo buildings of all time
Everything you need to know about expos and world’s fairs
Photos reveal BIG’s CityWave under construction in Milan
Mizuno turns Expo 2025 mascot into official trainers
This week we published IKEA’s tongue-in-cheek plans for a two-kilometre-long store
Philippe Starck and Daniel Libeskind create funeral urns for Alessi
Rebranded Foster + Partners Industrial Design set to produce wearable gadgets
Philippe Starck reveals surrealist hotel topped with 19th-century mansion
Photos reveal monumental scale of Egypt’s new capital city
Eight “really evocative” brutalist buildings in Washington DC
This week Foster + Partners unveiled plans for a 100,000-seat stadium
Ten ambitious future football stadiums set to be built around the world
Photos show concrete works underway at The Line megacity
Ma Yansong and Annabelle Selldorf named world’s most influential architects
Pierre Renart creates “fluid and dynamic” bench for Longchamp’s first furniture collection
Foster + Partners designs “highly functional” bird feeders to reduce disease transmission
“This certainly won’t be the tech bro biennale” says Venice Architecture Biennale curator Carlo Ratti
Ten products that “illustrate the diversity” of Foster + Partners Industrial Design
This week we revealed photos of Egypt’s monumental new capital city
Dezeen design editor named Young Arts Journalist of the Year
“We want to complicate people’s ideas of brutalism” say Capital Brutalism curators
Lalique “bridges the past and future” in New York townhouse
